Auditions, casting and directing actors


BACKSTAGE

18.1 We made a backstage profile! We struggled a bit at beginning, but we managed it in the end. We thought we had to pay for it, but then we found out that students can make profiles for free. We used the email we made for our film and added the details we needed. 


This is what we sent out:

Protagonist

Lead

Female

18-25

Any ethnicity 

"Our Protagonist is an anxious and introverted young woman who sometimes struggles to find the line between reality and her paranoia.  The film will follow her mental check list that she has created for herself as a coping mechanism, to prepare for the worst. Despite usually avoiding these situations, she finds herself incredibly anxious walking home one night, after a costume party."

We also added our casting call poster, as well as a couple of storyboard slides.

We ask for a headshot and a reel. Some people sent out cover letters, which was nice. 


DIRECTING ACTORS workshop 1

Notes:

    -What directors look for in their actors and what actors look for in a director

    -chemistry

    -No result directing, working around that

    -actors doing the key scenes

    -different key words

    -hello, hello, been waiting long, ages

    -brushing teeth scene

    -who what when where

    -different scenarios ie seduction, confrontation, entrapment etc

     -Anya script

    -Margarite, working with her on wednesday for mock audition, need to send her info

    -for non dialgoue audition, think of what kind of scenes are needed, physicality, emotions for close         up, so we should create two different scenes for margarite to act out

    -I think the actor can bring something to our character, flesh her out more, she is kind of open

The directing acting workshop was incredibly helpful for Laura and I. I think we learnt a lot from it, and also had some recap from last year. We have no experience with working with actors, so we are a little nervous about the auditions as well as the actual shoot. This workshop has definitely given us some really useful keys if we ever get stuck. We´ll steer away from result directing, try to give our actress some space and key words. Hopefully our actress will be able to take notes, add elements to the character herself, and be easy to get along with. It´s also important that she is good with emotions and body language as our film doesn´t have much dialogue. Next week we will have a mock audition with Margarite.


DIRECTING ACTORS workshop 2

    -Practising auditions with margarite, we sent her some stuff so she knows what its about

    -Went well and we feel more confident for our auditions. 

This workshop was really useful again. We didn´t know how to hold auditions at all, but we learnt a lot of good stuff today. We were too slow but it´s just because we hadn’t practised beforehand. For the actual things we will split who´s saying who clearly so we don´t get awkward silences and seem unorganised. We also learnt how to talk to the actor (like saying “in your own time”). I think our first online auditions can just be fifteen minutes long. We also went through lots of scenarios, so we can pick the best few for our real auditions. I really like the clapping one (every time I clap it´s a scary sound you hear, so you get more and more nervous). We also liked asking thoughts on the film, so we´ll keep that.

We´ll organise our online auditions as follows: 1. Introducing ourselves, what were going to be doing tonight, how are you etc 2. Why did you apply? What are you´re thoughts on the film and it´s meaning? What kind of “rituals” do you go through to make yourself seem safer? 3. Improv scenarios (clapping, bus stop maybe? You´re on a phone call…


AUDITIONS

We got a bit under 50 applications in the end. We went through the first ones quiet quickly. I sent out a short message to everyone we said no to and we narrowed our applicants down to around 25. I was able to narrow a few more down before sending out a message for online auditions for the 24th and 25th feb. Our plan at the moment is to have online auditions Thursday and Friday for these 21 candidates, and out of them we will choose our favourites to audition in person. Hopefully we can narrow it down to around five people. We are planning to have the auditions at uni, and most of the actors are from London, so we don´t want to invite too many people, especially at the beginning stages.

A lot of the actors cancelled or didn´t answer at all so we ended up having auditions for a lot less than 21. I think we did well and even though we were nervous to begin with, we handled it nicely. They were around fifteen minutes as planned, and we kept to what we had planned to say. We recorded all of them so we could watch them later as well. We mainly stuck to two scenarios with different variations. One was the clapping one where we saw the actors take on the emotional range of confident to extreme fear. The other one we had was sitting at a bus stop. A drunk man is staring at you walking towards you. We had variations where he talked to her, she is calling her friend, or a woman walks in and she feel relief. All in all, I think our online auditions went great. We were also able to choose our top five quickly: Lola, Hannah, Emma, Ellen and Brooke.


CASTING

I made this pdf to send out to the actors. I originally made it for Margarite for our practice auditions, but I thought we could use it for applicants as well. The only difference is I took of the storyboards, as we have that on our backstage. 

 

 

I don´t think we will actually use it in the end, as we are still developing our story and we are not sure how it will end up looking like in the end.

We have changed our story a bit. We decided that she is closing up at work instead of coming from a party. If she was at a party she could maybe just stay the night at her friends whereas from work it´s more urgent for her to leave. That does mean though, that the actress wont be wearing a costume :(( So we can´t really use the old moodboards or costume collages. We might still keep that she has some interesting looking make up that maybe changes throughout the film. We also decided on a name for her! Her name is Beatrice so Bea (pronounced Bee) for short. I think its cute. But yes this change meant we had to rewrite the script and we also don´t have much to send the actors. We wrote two parts of the script (the beginning and end) to send to our actors. 

We’re planning to invite our top five to online auditions this Sunday 6.3. Unfortunately a few of them messaged that they couldn’t make it and only one had confirmed, so we decided to have them send us self tapes of two scenes from our film we sent out.

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We went through all the tapes and by far our favourite is Hannah. We emailed her, but she said she is unfortunately busy on our film dates. We realised we could still film during the last week of march so we emailed those dates to her. It’s actually more convenient for us anyway as we will have more time to have practice shoots, test shots, get more funding, finish our script and story boarding. I’m also hoping to add to our instagram before actually filming.


WE FOUND OUR BEA!

Hannah accepted the role! We are so excited to get started!! We are ecstatic that we have found our protagonist. She is so talented I´m sure she´s going to be brilliant. I just sent her the actors agreement and we´re also looking at hotels and BnB´s. 




EXTRAS

We have added extras to our backstage profile. 

We also added the message to facebook originally and got a few replies for it. We have our woman and maybe the group of guys. We mainly just need someone with a car and the drunk guy role. I´m fairly confident we will find these people in time. We were also thinking of asking Julia to help us out by driving by in her cry for the lighting. 

 This was the original message we put out:

 EXTRAS NEEDED

We are looking for extras to star in our fda grad film Through Her Eyes. It is a story that highlights issues of women’s safety and the fear felt when walking home at night.
We would need:
A group of around five guys. Ages 18-27
As the protagonist walks past a group of guys she becomes increasingly anxious and begins imagining that they are sneering and shouting at her.
Man ages 18-27
Several small roles. We would use your shadow as our protagonist imagines somebody walking behind her. Boyfriend/ pedestrian who walks towards protagonist but appears not to be a threat when he meets with his girlfriend. We need someone to drive past protagonist so someone with a license and car necessary.
    ^we changed this role a bit. What I wrote on the new backstage post: The tipsy man will walk towards     our protagonist. He notices her and smiles at her, which makes her really nervous. He crosses the street     towards her, but she also crosses it. He just leaves it and eventually walks past. We would also use you     as a shadow, when our protagonist imagines there is somebody walking behind her.
Woman ages 18-27
Pedestrian man’s girlfriend. When she shows up our protagonist is visibly relieved.
    ^She is no longer the girlfriend. When she shows up our protagonist is relieved and tries to follow her
Female jogger any age
Runs past our protagonist whilst she is extremely nervous
   ^We completely deleted this role
 
We are filming in the third week of march. We would most likely need you only for an evening. (now the last week of march)
If you are interested please don’t hesitate to contact me or Laura Vaitl.
Poster by Andreea Cristea





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