Development Res 1
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| I just realised the last two dates are wrong. They´re meant to be december so the 6.12 and the deadline is the 9.12. |
Tutorial with Kathleen 21.10 notes:
- great topic, excellent subject (yay so we can continue with this idea)
- Mariah: german exhibition of mannequins wearing rape victims clothes
- hyper vigilance, surveying surroundings
- pop culture: women are often portrayed as victims
- Alya animation: A blink of an eye https://vimeo.com/523020044 (this animation is very powerful, and actually quiet shocking. Laura and I agree that ours wont be so dark)
- paranoia, self protection for women
- drama, documentray, VR?
- replicating whats there, played out too literally, too much like a crime reconstruction?
- paranoia becomes real, Kathleen likes the idea of a POV shot of the stalker
- risky behaviour, critical edge?
- mythic element, character in disguise, red riding hood esque
- should we handle it differently? its too cliche, avoid repeating, how to make it authentic
- work it out, give a twist aesthetically, technically interesting maybe? Camera work, castings, costumes example: dress as rabbit, as an angel, as a child. Something like that because it needs a twist
- She is fearful and being prey, subvertion?
- Izzy Holland is doing horror sound so we could contact her, amplifying sounds like twigs. leaves, snow, wind, imagination triggered by natural sounds
- talk to other women
- personal experience. what did you notice etc
- talk to acting students
Tutorial with Anne 11.11 notes:
- we went through our presentation and Anne seemed happy with it
- femicide
- Sarah Everard
- the rituals we go through, "interesting, going home rituals" like keys as a weapon, or averting eyes when walking past people, write down strategies
- we should make a list of things we do
- interview women
- costumes could be cool, like wolf and rabbit
- Anne´s story, citizen´s arrest
- Women´s safety groups
- 6 C300 camera for filming at night
- permissions, make good risk assessments and give waverley council plenty of time
- crew: around five or six, minders for night time shoot
- Sunset/ twilight good idea although we wont have that much time, film in february? around 18-22.h
- We watched A blink of an eye
- non-verbal? different scenarious in head? dialogue in her head or just titles
- Are you angry? Could ask this from the women we interview. WE have to change our behaviour, not go to parties etc. Its the men that should change :(
- We could have our character change her shoes at the beginning of the film, from high heels to flats
- We should play around and also think about particularities: specific places, test shots, how we are going to set up story, crew, how to make it more experimental, try different kinds of endings
This tutorial too was really helpful too. I think one of the next thing Laura and I should do is to create that list. We should make our own and then put out a message (maybe to a facebook group) to ask women to call us for an interview or to just send us lists of what protective measures they take whenever they go out. From the list then we can start building our film.
Film/ Series inspirations:
The French Dispatch
The French Dispatch is Wes Andersons new 2021 movie, with an amazing star-studded
cast. As you can imagine from Wes Anderson, the film is very stylised with his
iconic symmetrical look. It’s a work of art, featuring both black and white as
well as incredible colourful scenes. It also included some animation which I
love. I am into animation and graphic design too so it was nice to see, as well
as the wonderful magazine covers, illustrated by Javi Aznarez. I personally
absolutely loved the visuals of the film and I believe Laura and I could use
this film as inspiration for our own, as we also wanted to make it
aesthetically interesting. We are also planning to go see the exhibition on this
film on Sunday. I did think though, that the movie was entirely created to look
great, with not much focus on the story at all. I think I am more interested in
making films where there is a story, although I can absolutely appreciate a
film just for its art.
One aspect that I really liked and I think we can also add to our film
is the way the titles were made. There were moments in the film where the
characters spoke in French, and to help English speakers, there were subtitles
within the movie. They were quiet gorgeous to me, and even the way they appeared
on the screen was interesting. I talked about this to Laura, and we thought we
could have a similar effect with showing our characters thoughts. We were
thinking that our character could go through a mental list, like a how to
survive guide which could be shown with titles. For example, she could think:
step 1. Send a message and your location to your friends, step 2. Hold keys in
between fingers etc… I personally like this idea and think we could design the
text to have a similar to that of the French dispatch.
I couldn’t find any photos of the text, but I found one of the titles he used, which I think used the same font:
+ Wes Anderson exhibition
Link to it:
You
Other films/ series:
Stepford Wives 1975
This is an absolutely classic film that I´ve been wanting to watch for a
while. It´s such a classic actually that Stepford wife has become a saying. It
even has its own place in the dictionary. Urban dictionary writes: Stepford wife
1.) Used to describe a
servile, compliant, submissive, spineless wife who happily does her husband's
bidding and serves his every whim dutifully.
2.) Can also be used to describe a wife who is cookie cutter & bland in appearance and
behavior. Subscribes to a popular look and dares not deviate from that look.
This term is borrowed from the fictional suburb of Stepford, Connecticut in Ira Levin´s 1972 novel, The Stepford Wives, later made
into movies (in 1975 and 2004). In the story, men of this seemingly ideal town
have replaced their wives with attractive robotic dolls devoid of emotion or
thought.
1.) She's such a stepford wife, I've seen her greet her husband at the
door after work with a beer and a kiss 4 days in a row!
2.) I just got back from the pta meeting, I've never seen so many stepford wives.
2b.) The SNL skit "Mom Jeans" features women dressed to earn the SW
distinction.
The saying is how I first knew about the film so I thought that was funny.
The film obviously deals with the idea of the “perfect wife” and how women are pressured
to be that way, although in this film it is taken to a next level. The women
with personalities are viewed as trouble so (spoilers!) they are replaced by
clones. These clones love cleaning up, talk like they´re in adverts, compliment
their husbands and do what ever they tell them to do. I thought this was a
great feminist and iconic film for me to watch as research. I highly recommend this film to anyone who hasn´t seen it yet.
Behind her eyes
Behind your eyes is another Netflix series, that my dissertation tutor recommended
me to watch. In the series we follow the stereotypical crazy woman, who manipulates
her husband’s lover (and the viewer too) into believing he is the bad guy. She
ticks all the boxes of the insane wife, even the way she looks is exactly how
you would imagine. This was a very entertaining series, and in the end there is
actually a big plot twist that subverts the Adele´s character.
Casablanca
Another classic film, that I watched mainly for the vintage aesthetic
that I love. I think we could consider having the kind of over exaggerated lighting
that is often present in black and white films.
Gone girl
Gone girl completely subverts the stereotypical wife/ victim narrative. Amy
does not take lightly her husbands’ faults or the fact that he is having an
affair and tries to punish him. She pretends to be the victim of his, by
disappearing after making the perfect plan. She hopes he will be found guilty of
her murder and so he will be put into prison and executed. Amy is a very
intelligent, sociopathic and a horrible character which is often not expected from
women.




























































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